Picasso and Braque apparently were avid film buffs, with Glimcher's theme being that their work -- particularly the Cubist paintings that they created largely in the years 1907-14 -- were deeply influenced by the early efforts of such film pioneers as Thomas Edison and especially George Melies, clips of whose playful films are featured prominently.
A hodgepodge of interrelated theories that is in no small way reminiscent of the art movement that provides its inspiration, the film is too scattershot to make a sustained impact. But there are plenty of thoughtful ideas presented along the way, many of them provided by the incisive commentary of such artists as Chuck Close, Julian Schnabel and Eric Fischl.
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